The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
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Seite 3
... literature and ask the question , " What place in our lives should the oral interpretation of literature enjoy ? ” 1 1 Harold Osborne , Aesthetics and Criticism , Routledge & Kegan Paul , Ltd. , London , 1955 , p . 156 . The function of ...
... literature and ask the question , " What place in our lives should the oral interpretation of literature enjoy ? ” 1 1 Harold Osborne , Aesthetics and Criticism , Routledge & Kegan Paul , Ltd. , London , 1955 , p . 156 . The function of ...
Seite 9
... literature , the reader must know the medium in all its aspects , blending what he knows of the artist with what he knows of the art . Burke points out that the motiva- tion out of which the author writes is symbolic of the structure ...
... literature , the reader must know the medium in all its aspects , blending what he knows of the artist with what he knows of the art . Burke points out that the motiva- tion out of which the author writes is symbolic of the structure ...
Seite 44
... literature . Moreover , a reader must have a wide knowledge of literature if he is to match the selection to audience and occasion . A choice must be made , therefore , as to what selections will be included before a thorough study of ...
... literature . Moreover , a reader must have a wide knowledge of literature if he is to match the selection to audience and occasion . A choice must be made , therefore , as to what selections will be included before a thorough study of ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York