The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
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Seite 95
... person is saying something to another person . " 26 Such discourse may be put in one of two forms : The author may be speaking directly to his listeners , or the author may be using the device of a third person to speak to his listeners ...
... person is saying something to another person . " 26 Such discourse may be put in one of two forms : The author may be speaking directly to his listeners , or the author may be using the device of a third person to speak to his listeners ...
Seite 220
... person narrator - the subjective approach . The first - person narrator is limited , because he can only tell what he himself sees . But this personalized viewpoint can be very compelling . The first - person narrator is the eye witness ...
... person narrator - the subjective approach . The first - person narrator is limited , because he can only tell what he himself sees . But this personalized viewpoint can be very compelling . The first - person narrator is the eye witness ...
Seite 302
... person slapped slapped me on the back " or " seeing a person's nose running . " Subjects are simply asked to rank the types of music as they would be preferred by nonoffice factory workers at work , the magazines ac- cording to total ...
... person slapped slapped me on the back " or " seeing a person's nose running . " Subjects are simply asked to rank the types of music as they would be preferred by nonoffice factory workers at work , the magazines ac- cording to total ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York