The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
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Seite 15
... pitch , volume , and quality . Without such additions , the poem be- comes not a conversation but rather a bushel basket full of words . In order to demonstrate how much pitch amplifies meaning , try reading the poem silently or orally ...
... pitch , volume , and quality . Without such additions , the poem be- comes not a conversation but rather a bushel basket full of words . In order to demonstrate how much pitch amplifies meaning , try reading the poem silently or orally ...
Seite 138
... pitch range . Little wonder that their lis- teners respond unsatisfactorily ! Many students lack variety in pitch because they are using an un- realistic pitch level . Once a more satisfactory pitch has been adopted , such students must ...
... pitch range . Little wonder that their lis- teners respond unsatisfactorily ! Many students lack variety in pitch because they are using an un- realistic pitch level . Once a more satisfactory pitch has been adopted , such students must ...
Seite 140
... pitch factor impor- tant to the interpreter . The pitch must match the mood . In general , high pitches are associated with excitement , instability and merriment ; low pitches , with somberness , stability , and sobriety . Music illus ...
... pitch factor impor- tant to the interpreter . The pitch must match the mood . In general , high pitches are associated with excitement , instability and merriment ; low pitches , with somberness , stability , and sobriety . Music illus ...
Inhalt
The function and nature of literature | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York