The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
Ergebnisse 1-3 von 28
Seite 93
... present by constantly manipulating the parallel between past and present . " 22 The medium There is yet one other area with which the reader must become fa- miliar before he concentrates on the selection itself , namely , the me- dium ...
... present by constantly manipulating the parallel between past and present . " 22 The medium There is yet one other area with which the reader must become fa- miliar before he concentrates on the selection itself , namely , the me- dium ...
Seite 202
... present . Voice and bodily movement When material of an intimate nature is being read , such as a diary or journal , or when the subject matter is complex , as with the essay , the reader may be required to establish that type of ...
... present . Voice and bodily movement When material of an intimate nature is being read , such as a diary or journal , or when the subject matter is complex , as with the essay , the reader may be required to establish that type of ...
Seite 289
... present the staged reading , it is generally agreed that the purpose of the ap- proach is to present good literature in a lively , dramatic manner . However , the staged reading should not be confused with play reading , dramatization ...
... present the staged reading , it is generally agreed that the purpose of the ap- proach is to present good literature in a lively , dramatic manner . However , the staged reading should not be confused with play reading , dramatization ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York