The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
Ergebnisse 1-3 von 36
Seite 153
... response is directly proportional to the lack of facial response by the reader . Unless he is a dry comedian , the reader should indicate that he expects a humorous response . One of the ways to offer the proper stimulus to the audience ...
... response is directly proportional to the lack of facial response by the reader . Unless he is a dry comedian , the reader should indicate that he expects a humorous response . One of the ways to offer the proper stimulus to the audience ...
Seite 175
... response was likely to be powerful also . In evaluating his own performance , a reader must ask himself if he was capable of assuming an internal state comparable to the one required in the selection he read . Has he felt deeply enough ...
... response was likely to be powerful also . In evaluating his own performance , a reader must ask himself if he was capable of assuming an internal state comparable to the one required in the selection he read . Has he felt deeply enough ...
Seite 307
... response to central meaning , response to central images , response to metaphorical images , or appropriate critical comments on the poem " when comparing tape recordings of poems with silent reading of poems . 22 Again , in light of ...
... response to central meaning , response to central images , response to metaphorical images , or appropriate critical comments on the poem " when comparing tape recordings of poems with silent reading of poems . 22 Again , in light of ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York