The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
Im Buch
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Seite 25
... sounds ® This chapter is composed of sound stories - stories to be read aloud many times during the retraining steps . They help give personalities to the troublesome sounds and are designed to give the children many opportuni- ties to ...
... sounds ® This chapter is composed of sound stories - stories to be read aloud many times during the retraining steps . They help give personalities to the troublesome sounds and are designed to give the children many opportuni- ties to ...
Seite 147
... sound if he is doing any one or more of the following : Overemphasizing the s sound , which , because of its individuality , needs less stress than other consonants Smiling during the enunciation of s , permitting any air which fans out ...
... sound if he is doing any one or more of the following : Overemphasizing the s sound , which , because of its individuality , needs less stress than other consonants Smiling during the enunciation of s , permitting any air which fans out ...
Seite 264
... Sound . The musical quality of sound is so strong in poetry that DeWitt Parker says that poetry is closer to music than is any other art.19 Many poems make their strongest appeal through sound and therefore the reader of poetry must ...
... Sound . The musical quality of sound is so strong in poetry that DeWitt Parker says that poetry is closer to music than is any other art.19 Many poems make their strongest appeal through sound and therefore the reader of poetry must ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York