The Oral Interpretation of LiteratureMcGraw-Hill, 1963 - 330 Seiten |
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Seite 217
... tone . It is true that prose does not follow a regular pattern of rhythm to es- tablish emotion as does poetry . The rhythms of prose are seldom based upon so apparent an element as meter or rhyme . But prose may make use of all of the ...
... tone . It is true that prose does not follow a regular pattern of rhythm to es- tablish emotion as does poetry . The rhythms of prose are seldom based upon so apparent an element as meter or rhyme . But prose may make use of all of the ...
Seite 255
... tone . Tone is defined as the attitude of the writer toward his material and his audi- ence . Therefore , an analysis of the tone of a selection will lead the student to the emotions that the poet has used to surround his ideas . There ...
... tone . Tone is defined as the attitude of the writer toward his material and his audi- ence . Therefore , an analysis of the tone of a selection will lead the student to the emotions that the poet has used to surround his ideas . There ...
Seite 283
... tone , and rhythm that precede ? What do the above lines have to contribute to the gen- eral impact of the poem ? The mood and tone continue to build with the lines “ O , stand , stand at the window . " It is not until the last stanza ...
... tone , and rhythm that precede ? What do the above lines have to contribute to the gen- eral impact of the poem ? The mood and tone continue to build with the lines “ O , stand , stand at the window . " It is not until the last stanza ...
Inhalt
Preface | 3 |
The unique values of oral interpretation | 11 |
The contribution of oral interpretation to its allied areas | 21 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2018 |
The Oral Interpretation of Literature (Classic Reprint) Chloe Armstrong Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
achieve Aimee Slocum alliteration Alma aloud Auden audience Bassett Bible Carson chapter characters choose Company Copyright criticism develop discussion Dorothy Wordsworth drama effect elements Ellisville emotional empathy essay Eudora Welty evaluate experience factors feel fiction figures of speech fluoridation give idea imagery Index introduction Japs journal language Last Duchess Lily Daw listeners literary literature manuscript material meaning meter Miss Welty mood narrative narrator offered onomatopoeia oral interpretation oral reader oral reading person pitch play plot poem poet poetry present preter prose Reprinted by permission response rhyme rhythm Robert Frost Robert Penn Warren selection short story silent reading sound speaking staged reading stanza student style Summer and Smoke symbolism T. S. Eliot tank tempo theme thought Three Ladies tion tone trench understanding voice W. H. Auden Watts Welty's William Faulkner words Wordsworth writing xylophone York