German Expressionist Drama: Ernst Toller and Georg KaiserMacmillan, 1984 - 179 Seiten |
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Seite 37
... play , was omitted . The play therefore closed with the birth of the child ( Friedrich , as prisoner , does not die ) which was meant to symbolise the birth of the New Man . While the outcome of these changes may have been theatrically ...
... play , was omitted . The play therefore closed with the birth of the child ( Friedrich , as prisoner , does not die ) which was meant to symbolise the birth of the New Man . While the outcome of these changes may have been theatrically ...
Seite 63
... play was too sentimental and the topic of Hinkemann's emascula- tion against good taste . The positive reviews praised the play's dramatic structure , the treatment of the theme and the introduction of a Büchner - like proletarian ...
... play was too sentimental and the topic of Hinkemann's emascula- tion against good taste . The positive reviews praised the play's dramatic structure , the treatment of the theme and the introduction of a Büchner - like proletarian ...
Seite 125
... play Kaiser does not employ the term Der Neue Mensch ; instead he speaks of Der Mensch ( the man as ideal human ) whose characteristics are pacifism , altruism and wisdom . Die Bürger von Calais was premiered on 29 January 1917 in the ...
... play Kaiser does not employ the term Der Neue Mensch ; instead he speaks of Der Mensch ( the man as ideal human ) whose characteristics are pacifism , altruism and wisdom . Die Bürger von Calais was premiered on 29 January 1917 in the ...
Inhalt
Art and Politics | 10 |
Hinkemann | 60 |
Die Bürger von Calais The Burghers | 116 |
Urheberrecht | |
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German Expressionist Drama: Ernst Toller and Georg Kaiser Renate Benson Keine Leseprobe verfügbar - 1984 |
Häufige Begriffe und Wortgruppen
actors Allan artists became become Berlin BLUE FIGURE bourgeois Brecht Bürger von Calais Cashier César Klein character colour critics death depicts directed director Dramatists dream episodes ecstatic Erich Mühsam Ernst Toller Erwin Piscator Eustache de Saint-Pierre example experience Expressionism Fehling film Floss der Medusa Frankfurt Friedrich GENTLEMAN IN BLACK Georg Kaiser gerettete Alkibiades German Expressionist drama German Theatre Germany's Grete Gustav Landauer hermae Hinkemann Hoppla human ideas Jimmy Jürgen Fehling Karl Thomas Karlheinz Martin Kilman Koralle Kurt Eisner language leben live mankind Maschinenstürmer Masse Mensch Max Reinhardt Medusa Millionaire Millionaire-Worker morgens bis mitternachts Munich Nameless Nazis OLD REAPER Pastor Hall performance Piscator Piscator's play's poems political premiere prison production proletariat prologue protagonist realistic reality regeneration rejects represents Revolution role social Sokrates soldiers Son's stage Stationendrama style symbol tableau theme tion transformation trilogy vision Volksbühne Wandlung Woman workers writes wrote Yellow Figures