Labyrinth and Practices of Escape in Postmodern Scandanavian Theatre

According actors aesthetic ambiguity artistic audience Beauvoir becomes body Bricken characters Christoffersen Cixous complex concept contemporary context create creative cultural defines Dehlholm demonstrates Dicte discourse Dobbeltøksens Hus dramatic text Dramaturgy écriture féminine Elisabeth erotic escape existence existential experience experimentation expression female feminine feminist fictional fictional universe Foucault Fruängen gender Hélène Cixous hierarchical Hildegard historical Hotel Pro Forma images interpretation intertextual Kristina Lugn labyrinth labyrinthine perception language layers Lehmann Lena Endre Løveid Lugn Lugn's meaning medieval Merleau-Ponty metafictional metaphorical Michel Foucault multiple Nattorienterarna norms panoptical Panopticon Paul Rabinow performance program performance space perspective phenomenological play poetic points possibilities Postdramatic Theatre postmodern projects reader reality relationship Rhindøtrene rhizomatic rhizome rhizome-labyrinth model Richarda role Scandinavian scene semiotic sexuality simultaneous situation social spatial spectators stage structure Swedish symbolic Szatkowski temporal theatrical elements theatrical text transformation universe Vision Kiosk Volmar woman women writing