The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 14
... Chap . 14 for a discussion of nasality . 8 See Part II , Chap . 15 for a discussion of denasality . 9 See Part II , Chap . 16 for a discussion of the throaty voice and Chap . 18 for the hoarse voice . 10 See Part I , Chap . 5 for ...
... Chap . 14 for a discussion of nasality . 8 See Part II , Chap . 15 for a discussion of denasality . 9 See Part II , Chap . 16 for a discussion of the throaty voice and Chap . 18 for the hoarse voice . 10 See Part I , Chap . 5 for ...
Seite 228
... Chap . 1 and Chap . 7 , and Part II , Chap . 16 . 9 See Part I , Chap . 1 and Chap . 3 , and Part II , Chap . 12 . 10 See Part II , Chap . 14 , and Appendix . 11 See Part I , Chap . 1 . 12 5. Exercises for energy of tone 12 6. Use 228 ...
... Chap . 1 and Chap . 7 , and Part II , Chap . 16 . 9 See Part I , Chap . 1 and Chap . 3 , and Part II , Chap . 12 . 10 See Part II , Chap . 14 , and Appendix . 11 See Part I , Chap . 1 . 12 5. Exercises for energy of tone 12 6. Use 228 ...
Seite 302
... Chap . 3 and Part II , Chap . 12 for breathing exercises . 20 See Part II , Chap . 14 and Appendix , p . 359 , for exercises for the control of the soft palate . 21 See Appendix , pp . 358-59 and Part II , Chap . 16 for lip and jaw ...
... Chap . 3 and Part II , Chap . 12 for breathing exercises . 20 See Part II , Chap . 14 and Appendix , p . 359 , for exercises for the control of the soft palate . 21 See Appendix , pp . 358-59 and Part II , Chap . 16 for lip and jaw ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak