The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 11
... Inhale ; exhale intoning the sound ō . Hold it as long as you can with ease . Do not strain . When inhaling for speaking and singing , draw the breath in through both the mouth and nose . 5. Inhale ; exhale intoning the following sounds ...
... Inhale ; exhale intoning the sound ō . Hold it as long as you can with ease . Do not strain . When inhaling for speaking and singing , draw the breath in through both the mouth and nose . 5. Inhale ; exhale intoning the following sounds ...
Seite 268
... Inhale ; round the lips and exhale on ō as in nō . 2. Inhale ; spread the lips and exhale on e as in me . 3. Inhale and exhale on ō — ē , gliding from one to the other . 4. Inhale and exhale on ō - ē — ō — ē — ō — ē . 5. Inhale ; round ...
... Inhale ; round the lips and exhale on ō as in nō . 2. Inhale ; spread the lips and exhale on e as in me . 3. Inhale and exhale on ō — ē , gliding from one to the other . 4. Inhale and exhale on ō - ē — ō — ē — ō — ē . 5. Inhale ; round ...
Seite 359
... Inhale ; drop the jaw ; exhale on ah - hah . Repeat ten times . 4. Inhale ; drop the jaw and exhale on hah - hah . Repeat ten times . 5. Inhale ; drop the jaw and exhale on ah - ōō ( as in mōōn ) . Note that the jaw is almost closed for ...
... Inhale ; drop the jaw ; exhale on ah - hah . Repeat ten times . 4. Inhale ; drop the jaw and exhale on hah - hah . Repeat ten times . 5. Inhale ; drop the jaw and exhale on ah - ōō ( as in mōōn ) . Note that the jaw is almost closed for ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak