The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 74
... Lord of Cambridge here , You know how apt our love was to accord To furnish him with all appertinents Belonging to his honor ; yet this man Hath , for a few light crowns , lightly conspired , And sworn unto the practices of France To ...
... Lord of Cambridge here , You know how apt our love was to accord To furnish him with all appertinents Belonging to his honor ; yet this man Hath , for a few light crowns , lightly conspired , And sworn unto the practices of France To ...
Seite 343
... Lord , Lord , hear my voice . O let thine ears consider well the voice of my complaint . If thou , Lord , wilt be extreme to mark what is done amiss , O Lord , who may abide it ? For there is mercy with thee ; therefore , shalt thou be ...
... Lord , Lord , hear my voice . O let thine ears consider well the voice of my complaint . If thou , Lord , wilt be extreme to mark what is done amiss , O Lord , who may abide it ? For there is mercy with thee ; therefore , shalt thou be ...
Seite 344
... Lord , for with the Lord there is mercy , and with him is plenteous redemption . And he shall redeem Israel from all his sins . BIBLE , King James Version , Psalm 130 When I am dead , my dearest , Sing no sad songs for me ; Plant thou ...
... Lord , for with the Lord there is mercy , and with him is plenteous redemption . And he shall redeem Israel from all his sins . BIBLE , King James Version , Psalm 130 When I am dead , my dearest , Sing no sad songs for me ; Plant thou ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak