The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 164
... body . Although the position may vary slightly from one person to another , the student should lie on his back on a comfortable couch , bed , or mat ; his eyes should be closed . Some find it relaxing to rest the head , neck , arms ...
... body . Although the position may vary slightly from one person to another , the student should lie on his back on a comfortable couch , bed , or mat ; his eyes should be closed . Some find it relaxing to rest the head , neck , arms ...
Seite 167
... body by their tension or relaxation , the sooner you will be able to acquire a relaxed , controlled body musculature for pleasing and efficient vocalization . 8. After you have learned the feel of tension and relaxation in the muscles ...
... body by their tension or relaxation , the sooner you will be able to acquire a relaxed , controlled body musculature for pleasing and efficient vocalization . 8. After you have learned the feel of tension and relaxation in the muscles ...
Seite 177
... body . After you recapture all the details of this experience you will be able to look inward on it , within a second or two . Whenever you feel yourself becoming tense you can take refuge in reliving this quiet experience of the past ...
... body . After you recapture all the details of this experience you will be able to look inward on it , within a second or two . Whenever you feel yourself becoming tense you can take refuge in reliving this quiet experience of the past ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak