The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 59
... CHEST BREATHING Although clavicular breathing is commonly called chest breathing , it is restricted to the upper , smaller areas of the thoracic cavity , generally called the chest . In this type of respiration , the upper part of the ...
... CHEST BREATHING Although clavicular breathing is commonly called chest breathing , it is restricted to the upper , smaller areas of the thoracic cavity , generally called the chest . In this type of respiration , the upper part of the ...
Seite 64
... chest cavity for inhalation and the abdominal muscles to control exhalation . Breathing for voice must be deep and controlled . It is this composite breathing that , by ... chest . This chest expansion is provided for 64 THE SPEAKING VOICE.
... chest cavity for inhalation and the abdominal muscles to control exhalation . Breathing for voice must be deep and controlled . It is this composite breathing that , by ... chest . This chest expansion is provided for 64 THE SPEAKING VOICE.
Seite 69
... chest cavities . Breathe in and out quietly . Notice , as you inhale , how the abdominal and chest cavities expand ; as you exhale , how they contract . These are the move- ments that must be controlled during active breathing for voice ...
... chest cavities . Breathe in and out quietly . Notice , as you inhale , how the abdominal and chest cavities expand ; as you exhale , how they contract . These are the move- ments that must be controlled during active breathing for voice ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak