The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Ergebnisse 1-3 von 58
Seite 25
... important idea and , at the same time , subordinating the unimportant idea . If every idea were stressed , nothing would be emphatic . 2. The important idea is usually the new idea . 3. An idea that has already been mentioned should be ...
... important idea and , at the same time , subordinating the unimportant idea . If every idea were stressed , nothing would be emphatic . 2. The important idea is usually the new idea . 3. An idea that has already been mentioned should be ...
Seite 26
... important idea is placed after another until a climax is reached , each succeeding idea should receive in- creasing stress ; a longer pause before the final and most im- portant idea will give it even greater importance . Example : " I ...
... important idea is placed after another until a climax is reached , each succeeding idea should receive in- creasing stress ; a longer pause before the final and most im- portant idea will give it even greater importance . Example : " I ...
Seite 55
... importance of breathing for voice production . When a student is told that his voice is inadequate because he breathes ... important parts of the vocal mechanism , for tone is vocalized breath . The outgoing breath , by exerting pressure ...
... importance of breathing for voice production . When a student is told that his voice is inadequate because he breathes ... important parts of the vocal mechanism , for tone is vocalized breath . The outgoing breath , by exerting pressure ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak