The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 36
... lower area . When the lower ribs move outward and upward , this cavity is expanded at the sides and in front . When the diaphragm flattens down , this cavity is expanded downward . Conversely , the chest cavity is decreased by the ...
... lower area . When the lower ribs move outward and upward , this cavity is expanded at the sides and in front . When the diaphragm flattens down , this cavity is expanded downward . Conversely , the chest cavity is decreased by the ...
Seite 49
... LOWER JAW OR MANDIBLE The lower jaw must be allowed considerable freedom of movement in voice production . The voice student will do well to eliminate any " jaw stiffness " by acquiring the habit of pas- sively lowering the under jaw ...
... LOWER JAW OR MANDIBLE The lower jaw must be allowed considerable freedom of movement in voice production . The voice student will do well to eliminate any " jaw stiffness " by acquiring the habit of pas- sively lowering the under jaw ...
Seite 60
... lower ribs move out and up ; during exhalation they move in and down . This lateral expansion and contraction of the lower chest is accomplished by the action of the intercostal muscles . The action of these muscles can be felt at both ...
... lower ribs move out and up ; during exhalation they move in and down . This lateral expansion and contraction of the lower chest is accomplished by the action of the intercostal muscles . The action of these muscles can be felt at both ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak