The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 51
... mouth cavity , extending upward and backward from the gum ridge above the upper teeth and connecting posteriorly with the soft pal- ate . It serves as the floor of the nasal cavities above . Although an immobile , solid structure ...
... mouth cavity , extending upward and backward from the gum ridge above the upper teeth and connecting posteriorly with the soft pal- ate . It serves as the floor of the nasal cavities above . Although an immobile , solid structure ...
Seite 103
Ruth Baldock Manser, Leonard Finlan. THE MOUTH The mouth is the most adjustable resonator ; its shape and size can be considerably altered by the actions of the jaw , lips , and tongue . For each vowel and diphthong , for instance , it ...
Ruth Baldock Manser, Leonard Finlan. THE MOUTH The mouth is the most adjustable resonator ; its shape and size can be considerably altered by the actions of the jaw , lips , and tongue . For each vowel and diphthong , for instance , it ...
Seite 357
... mouth . Repeat ten times 3. Protrude the tongue , point it down toward the chin . Draw it back into the mouth . Repeat ten times . 4. Protrude the tongue ; point it up toward the nose . Draw it back into the mouth . Repeat ten times . 5 ...
... mouth . Repeat ten times 3. Protrude the tongue , point it down toward the chin . Draw it back into the mouth . Repeat ten times . 4. Protrude the tongue ; point it up toward the nose . Draw it back into the mouth . Repeat ten times . 5 ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak