The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 96
... VOICE QUALITY No two human voices can ever be exactly alike , since their quality differs in the same way that musical instruments differ from each other . Differences in both vocal and musical quality are produced by differences in ...
... VOICE QUALITY No two human voices can ever be exactly alike , since their quality differs in the same way that musical instruments differ from each other . Differences in both vocal and musical quality are produced by differences in ...
Seite 201
... voice varies from the normal speaking voice , and how great the deviation is . Ear - training exercises by means of a " conversation tube " am- plifier , or other special auditory equipment , such as the Chromovox , are most useful in ...
... voice varies from the normal speaking voice , and how great the deviation is . Ear - training exercises by means of a " conversation tube " am- plifier , or other special auditory equipment , such as the Chromovox , are most useful in ...
Seite 307
... voice becomes clearer and stronger . FUNCTIONAL HOARSE VOICE When every possibility of an organic difficulty has been ruled out by the laryngologist , the problem may be emotional , but it is very likely to be functional . An improper ...
... voice becomes clearer and stronger . FUNCTIONAL HOARSE VOICE When every possibility of an organic difficulty has been ruled out by the laryngologist , the problem may be emotional , but it is very likely to be functional . An improper ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak