Shakespeare and the Modern Stage: With Other EssaysC. Scribner's Sons, 1906 - 251 Seiten |
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Seite xv
... Literature in Shakespeare's day . Shakespeare in Eighteenth - century France . Eulogies of Victor Hugo and Dumas père III . French Misapprehensions of Shakespeare's Tragic Conceptions . Causes of the Misunderstanding PAGE • 198 201 206 ...
... Literature in Shakespeare's day . Shakespeare in Eighteenth - century France . Eulogies of Victor Hugo and Dumas père III . French Misapprehensions of Shakespeare's Tragic Conceptions . Causes of the Misunderstanding PAGE • 198 201 206 ...
Seite 2
... literature to support the proposition that Shakespeare can be , and ought to be , represented on the stage . But it is difficult to define the ways and means of securing practical observance of the precept . For some years there has ...
... literature to support the proposition that Shakespeare can be , and ought to be , represented on the stage . But it is difficult to define the ways and means of securing practical observance of the precept . For some years there has ...
Seite 16
... literature in much the same relation as Shakespeare stands to English literature . Molière's plays are constantly acted in French theatres with a scenic austerity which is unknown to the humblest of our theatres . A French audience ...
... literature in much the same relation as Shakespeare stands to English literature . Molière's plays are constantly acted in French theatres with a scenic austerity which is unknown to the humblest of our theatres . A French audience ...
Seite 24
... , but of falling short of their neighbours in Germany and Austria in the capacity of appreciating supremely great imaginative literature . SHAKESPEARE AND THE ELIZABETHAN PLAYGOER1 I IN a freak of 24 SHAKESPEARE AND THE MODERN STAGE.
... , but of falling short of their neighbours in Germany and Austria in the capacity of appreciating supremely great imaginative literature . SHAKESPEARE AND THE ELIZABETHAN PLAYGOER1 I IN a freak of 24 SHAKESPEARE AND THE MODERN STAGE.
Seite 27
... literature that ever came from human pen or brain is more closely packed with fruit of the imaginative study of human life than is Shakespeare's tragedy of Hamlet ; and while the author acted the part of the Ghost in the play's initial ...
... literature that ever came from human pen or brain is more closely packed with fruit of the imaginative study of human life than is Shakespeare's tragedy of Hamlet ; and while the author acted the part of the Ghost in the play's initial ...
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Häufige Begriffe und Wortgruppen
acting actor admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character classical comedy commemorative contemporary Coriolanus critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Dryden Elizabethan endeavour England English experience France French genius George Peele gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less literary drama literature London London County Council Love's Labour's Lost Lowin Macbeth manager memorial ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance permanent Phelps Phelps's philosophy piece playgoer playgoing playhouse poet poet's poetic poetry political present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William William Beeston William D'Avenant writing wrote
Beliebte Passagen
Seite 186 - A strange fish! Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Seite 169 - There is some soul of goodness in things evil, Would men observingly distil it out...
Seite 160 - I'll begin it, — Ding, dong, bell. All. Ding, dong, bell. Bass. So may the outward shows be least themselves : The world is still deceiv'd with ornament. In law, what plea so tainted and corrupt, But, being season'd with a gracious voice, Obscures the show of evil ? In religion, What damned error, but some sober brow Will bless it, and approve it with a text...
Seite 162 - The primogenitive and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree, stand in authentic place ? Take but degree away, untune that string, And hark, what discord follows...
Seite 46 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Seite 153 - Tis mightiest in the mightiest, it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings; It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice.
Seite 155 - Lear. What, art mad ? A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?
Seite 45 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
Seite 50 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Seite 20 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...