Shakespeare and the Modern Stage: With Other EssaysC. Scribner's Sons, 1906 - 251 Seiten |
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Seite xiii
... Play of Hamlet without Abbreviation IV . Mr Benson as a Trainer of Actors . The Succession to Phelps . PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE · I. The True Aim of the Municipal Theatre II . Private Theatrical Enterprise and ...
... Play of Hamlet without Abbreviation IV . Mr Benson as a Trainer of Actors . The Succession to Phelps . PAGE 111 113 116 119 VI THE MUNICIPAL THEATRE · I. The True Aim of the Municipal Theatre II . Private Theatrical Enterprise and ...
Seite 2
... play at a leading theatre shall base some part of its claim to public favour on its spectacular magnificence . The dramatic interest of Shakespearean drama is , PERILS OF SPECTACLE 3 in fact , deemed by the 2 SHAKESPEARE AND THE MODERN ...
... play at a leading theatre shall base some part of its claim to public favour on its spectacular magnificence . The dramatic interest of Shakespearean drama is , PERILS OF SPECTACLE 3 in fact , deemed by the 2 SHAKESPEARE AND THE MODERN ...
Seite 3
... play of Shakespeare involves heavy financial risks . It is equally plain that , unless the views of theatrical managers undergo revolution , these risks are likely to become greater rather than smaller . The natural result is that in ...
... play of Shakespeare involves heavy financial risks . It is equally plain that , unless the views of theatrical managers undergo revolution , these risks are likely to become greater rather than smaller . The natural result is that in ...
Seite 4
... public policy to be diminished . II Every stage representation of a play requires sufficient scenery and costume to produce in the THE PURPOSE OF SCENERY 5 audience that illusion of environment 4 SHAKESPEARE AND THE MODERN STAGE.
... public policy to be diminished . II Every stage representation of a play requires sufficient scenery and costume to produce in the THE PURPOSE OF SCENERY 5 audience that illusion of environment 4 SHAKESPEARE AND THE MODERN STAGE.
Seite 6
... play or by the authentic stage directions . When Cæsar is buried , it is essential to produce in the audience the illusion that a crowd of Roman citizens is taking part in the ceremony . But quality comes here before quantity . The ...
... play or by the authentic stage directions . When Cæsar is buried , it is essential to produce in the audience the illusion that a crowd of Roman citizens is taking part in the ceremony . But quality comes here before quantity . The ...
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acting actor admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character classical comedy commemorative contemporary Coriolanus critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Dryden Elizabethan endeavour England English experience France French genius George Peele gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less literary drama literature London London County Council Love's Labour's Lost Lowin Macbeth manager memorial ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance permanent Phelps Phelps's philosophy piece playgoer playgoing playhouse poet poet's poetic poetry political present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William William Beeston William D'Avenant writing wrote
Beliebte Passagen
Seite 186 - A strange fish! Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Seite 169 - There is some soul of goodness in things evil, Would men observingly distil it out...
Seite 160 - I'll begin it, — Ding, dong, bell. All. Ding, dong, bell. Bass. So may the outward shows be least themselves : The world is still deceiv'd with ornament. In law, what plea so tainted and corrupt, But, being season'd with a gracious voice, Obscures the show of evil ? In religion, What damned error, but some sober brow Will bless it, and approve it with a text...
Seite 162 - The primogenitive and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree, stand in authentic place ? Take but degree away, untune that string, And hark, what discord follows...
Seite 46 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Seite 153 - Tis mightiest in the mightiest, it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings; It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice.
Seite 155 - Lear. What, art mad ? A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?
Seite 45 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
Seite 50 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Seite 20 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...