The Romantic Movement in English PoetryA. Constable, 1909 - 344 Seiten |
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Seite 7
... emotion in a firm and material way , lies one of the great opportunities of prose . The novel and the prose play are the two great imaginative forms which prose has invented for itself . The essay corre- sponds in a sense to meditative ...
... emotion in a firm and material way , lies one of the great opportunities of prose . The novel and the prose play are the two great imaginative forms which prose has invented for itself . The essay corre- sponds in a sense to meditative ...
Seite 42
... emotion is the emotion of thought , its beauty is the beauty of idea . When it is simplest , its simplicity is that of some ' infant joy ' too young to have a name , or of some ' infant sorrow ' brought aged out of eternity into the ...
... emotion is the emotion of thought , its beauty is the beauty of idea . When it is simplest , its simplicity is that of some ' infant joy ' too young to have a name , or of some ' infant sorrow ' brought aged out of eternity into the ...
Seite 80
... emotion with more than usual order . ' Wordsworth was unconscious even of the necessity , or at least of the part played by skill and patience in waiting on opportunity as it comes , and seizing it as it goes . When one has said that he ...
... emotion with more than usual order . ' Wordsworth was unconscious even of the necessity , or at least of the part played by skill and patience in waiting on opportunity as it comes , and seizing it as it goes . When one has said that he ...
Seite 83
... emotion which was possessing him . He felt that a form so circum- scribed demanded not only something said in every line , but something said with a certain richness ; that when so few words could be used , those words must be chosen ...
... emotion which was possessing him . He felt that a form so circum- scribed demanded not only something said in every line , but something said with a certain richness ; that when so few words could be used , those words must be chosen ...
Seite 84
... emotion recollected in anquillity ; the emotion is contem- plated till , by a species of reaction , the tranquillity gradu- ally disappears , and an emotion kindred to that which was before the subject of contemplation is gradually ...
... emotion recollected in anquillity ; the emotion is contem- plated till , by a species of reaction , the tranquillity gradu- ally disappears , and an emotion kindred to that which was before the subject of contemplation is gradually ...
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Häufige Begriffe und Wortgruppen
ballad Barry Cornwall beauty Blake blank verse Byron cadence called Charles Lamb Coleridge Coleridge's colour comes conscious Crabbe criticism Dante death delight drama dream edition Elizabethan emotion English poetry Epistle expression eyes fancy feeling finest genius heart Hogg human humour imagination impulse Irish Joanna Baillie JOSEPH BLANCO WHITE Keats kind Kubla Khan Lamb Landor language Leigh Hunt less letter lines literature lived lyric Lyrical Ballads metre metrical mind Moore nature never once passion perhaps plays poem poet poetical Prophetic Books prose realised reality remembered rendered rhyme rhythm romantic says Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity singing songs sonnets soul Southey speaking speech spirit stanza strange style taste tells things thought tion touch translation truth turn vision vols wholly wonder words Wordsworth writing written wrote
Beliebte Passagen
Seite 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Seite 83 - Poetry is the breath and finer spirit of all knowledge; it is- the impassioned expression which is in the countenance of all science.
Seite 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Seite 241 - Could I embody and unbosom now That which is most within me — could I wreak My thoughts upon expression, and thus throw Soul, heart, mind, passions, feelings, strong or weak, All that I would have sought, and all I seek, Bear, know, feel, and yet breathe — into one word, And that one word were Lightning, I would speak ; But as it is, I live and die unheard, With a most voiceless thought, sheathing it as a sword.
Seite 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Seite 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Seite 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Seite 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Seite 231 - The mountain sheep are sweeter, But the valley sheep are fatter ; We therefore deemed it meeter To carry off the latter.
Seite 311 - The Imagination may be compared to Adam's dream, — he awoke and found it truth...