The Romantic Movement in English PoetryA. Constable, 1909 - 344 Seiten |
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Seite 9
... least possible chance of any confusion of territory . II Critics or historians of poetry are generally concerned with everything but what is essential in it . They deal with poetry as if it were a fashion , finding merit in its ...
... least possible chance of any confusion of territory . II Critics or historians of poetry are generally concerned with everything but what is essential in it . They deal with poetry as if it were a fashion , finding merit in its ...
Seite 11
... least for those qualities of imagination typical of him , in order to give him his due place in English poetry . The existence of Chatterton , at the moment when he happened to exist , proves as conclus- ively as need be that the man of ...
... least for those qualities of imagination typical of him , in order to give him his due place in English poetry . The existence of Chatterton , at the moment when he happened to exist , proves as conclus- ively as need be that the man of ...
Seite 19
... least , and only once , in The Cenci , ' with success . But The Cenci ' is the greatest play since Shakespeare . The romantic movement is an emancipation , and it cast off , not only the bandages of eighteenth - century limitation , but ...
... least , and only once , in The Cenci , ' with success . But The Cenci ' is the greatest play since Shakespeare . The romantic movement is an emancipation , and it cast off , not only the bandages of eighteenth - century limitation , but ...
Seite 24
... least part of her . " But art is not to confine itself to nature : ' the further the artist recedes from nature , the greater novelty he is likely to produce . ' The poet , it appears , ' writes principally to the eye ' ; and to prove ...
... least part of her . " But art is not to confine itself to nature : ' the further the artist recedes from nature , the greater novelty he is likely to produce . ' The poet , it appears , ' writes principally to the eye ' ; and to prove ...
Seite 52
... least , of an essentially poetic kind , that we have to disentangle and define , if we can , in the work of the poet who , more than any other , carried on into the nineteenth the traditions of the eighteenth century . ( In several of ...
... least , of an essentially poetic kind , that we have to disentangle and define , if we can , in the work of the poet who , more than any other , carried on into the nineteenth the traditions of the eighteenth century . ( In several of ...
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Häufige Begriffe und Wortgruppen
ballad Barry Cornwall beauty Blake blank verse Byron cadence called Charles Lamb Coleridge Coleridge's colour comes conscious Crabbe criticism Dante death delight drama dream edition Elizabethan emotion English poetry Epistle expression eyes fancy feeling finest genius heart Hogg human humour imagination impulse Irish Joanna Baillie JOSEPH BLANCO WHITE Keats kind Kubla Khan Lamb Landor language Leigh Hunt less letter lines literature lived lyric Lyrical Ballads metre metrical mind Moore nature never once passion perhaps plays poem poet poetical Prophetic Books prose realised reality remembered rendered rhyme rhythm romantic says Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity singing songs sonnets soul Southey speaking speech spirit stanza strange style taste tells things thought tion touch translation truth turn vision vols wholly wonder words Wordsworth writing written wrote
Beliebte Passagen
Seite 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Seite 83 - Poetry is the breath and finer spirit of all knowledge; it is- the impassioned expression which is in the countenance of all science.
Seite 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Seite 241 - Could I embody and unbosom now That which is most within me — could I wreak My thoughts upon expression, and thus throw Soul, heart, mind, passions, feelings, strong or weak, All that I would have sought, and all I seek, Bear, know, feel, and yet breathe — into one word, And that one word were Lightning, I would speak ; But as it is, I live and die unheard, With a most voiceless thought, sheathing it as a sword.
Seite 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Seite 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Seite 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Seite 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Seite 231 - The mountain sheep are sweeter, But the valley sheep are fatter ; We therefore deemed it meeter To carry off the latter.
Seite 311 - The Imagination may be compared to Adam's dream, — he awoke and found it truth...