The Romantic Movement in English PoetryA. Constable, 1909 - 344 Seiten |
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Seite 6
... whole process and existence of character , in a play of Shakespeare and in a novel of Balzac . I choose Balzac among novelists , because his mind is nearer to what is creative in the poet's mind than that of any novelist , 6 ROMANTIC ...
... whole process and existence of character , in a play of Shakespeare and in a novel of Balzac . I choose Balzac among novelists , because his mind is nearer to what is creative in the poet's mind than that of any novelist , 6 ROMANTIC ...
Seite 11
... whole modern romantic movement began , consciously and as a form of achieved art ; and it is not necessary to remember that he died at an age when no other English poet had done work in any degree comparable with his , at least for ...
... whole modern romantic movement began , consciously and as a form of achieved art ; and it is not necessary to remember that he died at an age when no other English poet had done work in any degree comparable with his , at least for ...
Seite 14
... whole outline there was a soft , not quite transparent , veil of mist , like the down on fruit : you saw them and the general lines of their structure , but you saw them under a more exquisite aspect , like an image seen in a cloudy ...
... whole outline there was a soft , not quite transparent , veil of mist , like the down on fruit : you saw them and the general lines of their structure , but you saw them under a more exquisite aspect , like an image seen in a cloudy ...
Seite 29
... whole lines of asterisks , pretend to conceal meanings too definite to be writ- ten . What is written is never of any better quality than such a couplet as this : - ' With these supports , the modest Peer preferr'd His claim , which ...
... whole lines of asterisks , pretend to conceal meanings too definite to be writ- ten . What is written is never of any better quality than such a couplet as this : - ' With these supports , the modest Peer preferr'd His claim , which ...
Seite 48
... whole aim of the Prophetic Books is to arrive at a style as ' deter- minate and perfect ' as vision , unmodified by any of the de- ceiving beauties of nature or of the distracting ornaments of conventional form . What is further ...
... whole aim of the Prophetic Books is to arrive at a style as ' deter- minate and perfect ' as vision , unmodified by any of the de- ceiving beauties of nature or of the distracting ornaments of conventional form . What is further ...
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Häufige Begriffe und Wortgruppen
ballad Barry Cornwall beauty Blake blank verse Byron cadence called Charles Lamb Coleridge Coleridge's colour comes conscious Crabbe criticism Dante death delight drama dream edition Elizabethan emotion English poetry Epistle expression eyes fancy feeling finest genius heart Hogg human humour imagination impulse Irish Joanna Baillie JOSEPH BLANCO WHITE Keats kind Kubla Khan Lamb Landor language Leigh Hunt less letter lines literature lived lyric Lyrical Ballads metre metrical mind Moore nature never once passion perhaps plays poem poet poetical Prophetic Books prose realised reality remembered rendered rhyme rhythm romantic says Scott seems seen sense sensitive Shakespeare Shelley Siege of Ancona sincerity singing songs sonnets soul Southey speaking speech spirit stanza strange style taste tells things thought tion touch translation truth turn vision vols wholly wonder words Wordsworth writing written wrote
Beliebte Passagen
Seite 304 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Seite 83 - Poetry is the breath and finer spirit of all knowledge; it is- the impassioned expression which is in the countenance of all science.
Seite 84 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Seite 241 - Could I embody and unbosom now That which is most within me — could I wreak My thoughts upon expression, and thus throw Soul, heart, mind, passions, feelings, strong or weak, All that I would have sought, and all I seek, Bear, know, feel, and yet breathe — into one word, And that one word were Lightning, I would speak ; But as it is, I live and die unheard, With a most voiceless thought, sheathing it as a sword.
Seite 84 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Seite 138 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Seite 40 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wandering in many a coral grove Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoyed in you! The languid strings do scarcely move! The sound is forced, the notes are few!
Seite 156 - Give glory to the Lord your God, before he cause darkness, and before your feet stumble upon the dark mountains, and, while ye look for light, he turn it into the shadow of death, and make it gross darkness.
Seite 231 - The mountain sheep are sweeter, But the valley sheep are fatter ; We therefore deemed it meeter To carry off the latter.
Seite 311 - The Imagination may be compared to Adam's dream, — he awoke and found it truth...