The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... Gonzalo (II.1.55), as if he had never walked on a lawn before. Yet Miranda's outburst of wonder is countered by Prospero, who knows how this meeting has come about and cannot greet it with the same delight. There are many ways that his ...
... Gonzalo and Miranda is a source of wonder is for Stephano and Sebastian an opportunity for political insurrection, and for Trinculo and Antonio – both of whom see Caliban as a 'strange fish' that may be 'marketable' at home (II.2.27, V ...
... tells us that his mother worshipped a god called Setebos (I.2.373, V.1.261), but this was a name from South America, which Shakespeare found in narratives of discovery in Patagonia. Gonzalo's fantasy of a utopian state.
... Gonzalo is not himself a colonist – nor, indeed, is the island unsettled – but this was the vocabulary used of American enterprise and colonization rather than Mediterranean commerce. Trinculo's plan to take Caliban home and exhibit him ...
... Gonzalo voices the note of wonder – 'O, rejoice | Beyond a common joy, and set it down | With gold on lasting pillars' (V.1.206–8) – but he is the play's most idealistic character, who always looks for the silver lining. The audience ...