The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... effect is of increasing psychological realism, reaching its greatest heights in Hamlet, Othello, King Lear, Macbeth and Antony and Cleopatra. Gradually he discovered ways of adapting the regular beat of the pentameter to make it an ...
... effects such as flourishes of trumpets, music both martial and amorous, and accompaniments to songs were provided by the company's musicians. Actors entered through doors in the back wall of the stage. Above it was a balconied area that ...
... effect. The imaginative power of The Tempest's enchantments – its marvels and miracles and picture of life as we would like it to be – is always in tension with the equally powerful disenchantment paradoxically emanating from the man ...
... effects are complex and startling. It is used to charm and celebrate, but also to terrify, intimidate and compel. Music brings out suppressed desires in the characters' minds, provoking them to feelings of both yearning and despair ...
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