The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... kind of drama to another. Never shackled by convention, he offered his actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he ...
... kind of life to which they will return. What they take for 'normal' no longer seems so obvious or secure. Of the many strange worlds in Renaissance drama, The Tempest has much the strangest. No other play creates a space which runs so ...
... kind. Alonso reacts to the return of Ferdinand as if he had been lost for years, not just a few hours. In his later plays, Shakespeare was repeatedly drawn to romance plots. Pericles, Cymbeline and The Winter's Tale all feature stories ...
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