The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... present possibilities unimaginable at home. Typical are plays like Thomas Heywood's The Four Prentices of London (c. 1600), whose heroes' adventures take them from city shops to the Middle East, or John Fletcher's The Island Princess ...
... symmetries that wrap around its characters. Not only is it haunted by 'noises' and 'sweet airs' (III.2.136–7), its music is more insistent and integral to the action than in any other Shakespearian drama. Music is constantly present.
William Shakespeare. than in any other Shakespearian drama. Music is constantly present (the only scenes not to call for it explicitly are I.1 and III.1), and its effects are complex and startling. It is used to charm and celebrate, but ...
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