The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... scenes not to call for it explicitly are I.1 and III.1), and its effects are complex and startling. It is used to charm and celebrate, but also to terrify, intimidate and compel. Music brings out suppressed desires in the characters ...
... scenes of almost unbearable joy, in which that which was thought to be lost is surprisingly recovered. The whole concluding movement of The Tempest is a sustained 'recognition scene' of this kind. Alonso reacts to the return of ...
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