The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... songs were provided by the company's musicians. Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and ...
... songs, orchestral music and operas; painters and sculptors; poets, novelists and film-makers. Allusions to him appear in pop songs, in advertisements and in television shows. Some of his characters – Romeo and Juliet, Falstaff, Shylock ...
... song, dance, mythological themes and gorgeous costumes and scenery. Though he lives at the edge of Europe, Prospero conjures up a show redolent of the most expensive pleasures seen in any Italian court, albeit one which, as in all the ...
... song 'Freedom, high-day! High-day, freedom!' (II.2.185) is the first American poem. To do so is to move the island too far westward, and ignore its ties with the North African coast and the affairs of old Europe, which are just as ...
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