The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... story-lines derive from printed writings; but the structuring and translation of these narratives into dramatic terms is Shakespeare's own, and he invents much additional material. Most of the plays contain elements of myth and legend ...
... story by the Italian Giraldi Cinthio (1504–73). And the language of his plays is permeated by the Bible, the Book of Common Prayer and the proverbial sayings of his day. Shakespeare was popular with his contemporaries, but his ...
... story, and together they gesture at uncertainties that reverberate beyond the end of the play. What is essential in ... stories register the expanding geographical horizons of the day and their consequences for the mental horizons of the ...
... story has been transferred to a distant galaxy peopled by scientists, astronauts and aliens, and filmed as The Forbidden Planet (1956), or that Aldous Huxley used Brave New World as the title for his dystopian novel (1932). The Tempest ...
... story continues with rebellion and disorder amongst the settlers, to which Gates responded rather like Prospero, with violent punishments and the imposition of a draconian penal code. Strachey's vivid eyewitness narrative, A True ...