The TempestPenguin UK, 29.10.2015 - 240 Seiten 'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood |
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... thought with feeling. Towards the end of his career, in plays such as The Winter's Tale, Cymbeline and The Tempest, he adopts a more highly mannered style, in keeping with the more overtly symbolical and emblematical mode in which he is ...
... thought was the psychology of colonialism he had observed in Madagascar. In Highlife for Caliban (1995), the Sierra Leonean poet Lemuel Johnson imagines Caliban as king in his own kingdom, and Sycorax is the central character of Marina ...
... thought to be lost is surprisingly recovered. The whole concluding movement of The Tempest is a sustained 'recognition scene' of this kind. Alonso reacts to the return of Ferdinand as if he had been lost for years, not just a few hours ...
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