Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 Seiten Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Seite vi
... play are controlled exclusively by Dramatists Play Service , Inc. , 440 Park Avenue South , New York , NY 10016. No professional performance of the play may be given without obtaining , in advance , the written permission of Dramatists Play ...
... play are controlled exclusively by Dramatists Play Service , Inc. , 440 Park Avenue South , New York , NY 10016. No professional performance of the play may be given without obtaining , in advance , the written permission of Dramatists Play ...
Seite 39
... play ? How does this affect how you speak the text ? 3.8 Play with your hand as the beak . Try to conjure the beak's shape and motion . If you contact anything , what might you do to make visible precisely how the beak " digs " into ...
... play ? How does this affect how you speak the text ? 3.8 Play with your hand as the beak . Try to conjure the beak's shape and motion . If you contact anything , what might you do to make visible precisely how the beak " digs " into ...
Seite 364
... play a playwright's images along with the events of the plot and to embody a play's central images in your character . A narrative approach to roles A good play is a unique universe , with its own logic and its own psychology . It ...
... play a playwright's images along with the events of the plot and to embody a play's central images in your character . A narrative approach to roles A good play is a unique universe , with its own logic and its own psychology . It ...
Inhalt
Preface | 1 |
Chapter 2 | 30 |
Chapter 4 | 61 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words