The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - 267 Seiten The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period; yet his impact on English writers has rarely been analyzed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work--its style, project, and achievement--commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own writing. |
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Seite 59
... begins a second loop . This composition repeats Blake's illustra- tion to Inferno v ( nos . 10 and 103 , see Plates 3 and 4 ) where the lustful are pulled by a whirlwind , first towards Dante and Virgil and then away again through a ...
... begins a second loop . This composition repeats Blake's illustra- tion to Inferno v ( nos . 10 and 103 , see Plates 3 and 4 ) where the lustful are pulled by a whirlwind , first towards Dante and Virgil and then away again through a ...
Seite 84
... begin a third quatrain , cdde , but in its last line the rapid couplet rhyme begins a new pattern , efefgg . The rhyme - scheme is counterpointed by metre 11/11/7/11/7/11/11/7/11/11 . The last six lines can divide into two groups of ...
... begin a third quatrain , cdde , but in its last line the rapid couplet rhyme begins a new pattern , efefgg . The rhyme - scheme is counterpointed by metre 11/11/7/11/7/11/11/7/11/11 . The last six lines can divide into two groups of ...
Seite 100
... begins the revised version with a different idea of how the golden age is remembered . It appears in 1809 as ' the tradition which the self - dissatisfied Race of Men have every where preserved and cherished ' ( Friend , ii . 11 ) . In ...
... begins the revised version with a different idea of how the golden age is remembered . It appears in 1809 as ' the tradition which the self - dissatisfied Race of Men have every where preserved and cherished ' ( Friend , ii . 11 ) . In ...
Inhalt
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Urheberrecht | |
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allegory appear argues attention Beatrice becomes Blake Blake's Blake's illustrations Boyd Byron Cambridge canto Cary Cary's translation circle Coleridge Coleridge's Commedia continues contrast creates Critical damned Dante Alighieri Dante and Virgil Dante's Dantean divine Divine Comedy Don Juan Earthly Paradise English Essays eternal exile eyes Fall of Hyperion Farinata feelings Flaxman's Friend Fuseli's gentleness Heaven Hell Henry Fuseli human Hunt's ibid imagination implies Inferno Italian John John Keats Juan's judgement Keats Keats's Leila light lines London McGann Milton narrator nature numbers Oxford Paolo and Francesca passage pause perception poem poet poetic poetry political Purgatorio reader reading reveals rhyme Rimini Rollins Romantic Rousseau S. T. Coleridge Sapegno Schlegel seems sense Shelley Shelley's sorrow soul stanza Story of Rimini sublime symbolic sympathy T. S. Eliot terza rima thought tion Toynbee Triumph truth Ugolino Virgil vision vols waking dream Warton William Blake Wordsworth writing
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