The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - 267 Seiten The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period; yet his impact on English writers has rarely been analyzed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work--its style, project, and achievement--commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own writing. |
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Seite 72
... describes as an ' unsustained composition ' in which ' meaning ' separates from wording . Without ' variety ' , the reader ' collects rapidly the general result ' . For Coleridge , like Dante , the component parts of verse must possess ...
... describes as an ' unsustained composition ' in which ' meaning ' separates from wording . Without ' variety ' , the reader ' collects rapidly the general result ' . For Coleridge , like Dante , the component parts of verse must possess ...
Seite 81
... describes in his canzone , also written in exile , ' Tre donne al cor mi son venuto ' . This was the one among Dante's poems Coleridge found most interesting in 1806 : Canzone xiv , fra le Rime di Dante is a poem of wild & interesting ...
... describes in his canzone , also written in exile , ' Tre donne al cor mi son venuto ' . This was the one among Dante's poems Coleridge found most interesting in 1806 : Canzone xiv , fra le Rime di Dante is a poem of wild & interesting ...
Seite 112
... describes as ' our second frost ' , coming after a storm whose ' thunders and howlings ' were dreadful because sublime : Sounds more sublime than any Sight can be , more absolutely suspending the power of comparison , and more utterly ...
... describes as ' our second frost ' , coming after a storm whose ' thunders and howlings ' were dreadful because sublime : Sounds more sublime than any Sight can be , more absolutely suspending the power of comparison , and more utterly ...
Inhalt
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Urheberrecht | |
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allegory appear argues attention Beatrice becomes Blake Blake's Blake's illustrations Boyd Byron Cambridge canto Cary Cary's translation circle Coleridge Coleridge's Commedia continues contrast creates Critical damned Dante Alighieri Dante and Virgil Dante's Dantean divine Divine Comedy Don Juan Earthly Paradise English Essays eternal exile eyes Fall of Hyperion Farinata feelings Flaxman's Friend Fuseli's gentleness Heaven Hell Henry Fuseli human Hunt's ibid imagination implies Inferno Italian John John Keats Juan's judgement Keats Keats's Leila light lines London McGann Milton narrator nature numbers Oxford Paolo and Francesca passage pause perception poem poet poetic poetry political Purgatorio reader reading reveals rhyme Rimini Rollins Romantic Rousseau S. T. Coleridge Sapegno Schlegel seems sense Shelley Shelley's sorrow soul stanza Story of Rimini sublime symbolic sympathy T. S. Eliot terza rima thought tion Toynbee Triumph truth Ugolino Virgil vision vols waking dream Warton William Blake Wordsworth writing
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