The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - 267 Seiten The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period; yet his impact on English writers has rarely been analyzed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work--its style, project, and achievement--commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own writing. |
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... vision ' is a phrase taken from Henry Cary's introduction to his translation of the Divina Commedia , a translation itself entitled The Vision , and first pub- lished in 1814. Cary means the phrase pejoratively : Dante's ' solicitude ...
... vision ' is a phrase taken from Henry Cary's introduction to his translation of the Divina Commedia , a translation itself entitled The Vision , and first pub- lished in 1814. Cary means the phrase pejoratively : Dante's ' solicitude ...
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... Vision for his title he in part continued that eighteenth - century view . Vision lifts Dante above the sordid de- mands of narrative , as Cary confirms in his introduction : ' the story ( if story it may be called ) ends happily ...
... Vision for his title he in part continued that eighteenth - century view . Vision lifts Dante above the sordid de- mands of narrative , as Cary confirms in his introduction : ' the story ( if story it may be called ) ends happily ...
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... vision may happen to a waking man . A dream is supposed natural , a vision miraculous ; but they are confounded.36 Johnson's insistence that humanity cannot distinguish between deceitful dreams and true visions contributes to the avowed ...
... vision may happen to a waking man . A dream is supposed natural , a vision miraculous ; but they are confounded.36 Johnson's insistence that humanity cannot distinguish between deceitful dreams and true visions contributes to the avowed ...
Inhalt
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Urheberrecht | |
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allegory appear argues attention Beatrice becomes Blake Blake's Blake's illustrations Boyd Byron Cambridge canto Cary Cary's translation circle Coleridge Coleridge's Commedia continues contrast creates Critical damned Dante Alighieri Dante and Virgil Dante's Dantean divine Divine Comedy Don Juan Earthly Paradise English Essays eternal exile eyes Fall of Hyperion Farinata feelings Flaxman's Friend Fuseli's gentleness Heaven Hell Henry Fuseli human Hunt's ibid imagination implies Inferno Italian John John Keats Juan's judgement Keats Keats's Leila light lines London McGann Milton narrator nature numbers Oxford Paolo and Francesca passage pause perception poem poet poetic poetry political Purgatorio reader reading reveals rhyme Rimini Rollins Romantic Rousseau S. T. Coleridge Sapegno Schlegel seems sense Shelley Shelley's sorrow soul stanza Story of Rimini sublime symbolic sympathy T. S. Eliot terza rima thought tion Toynbee Triumph truth Ugolino Virgil vision vols waking dream Warton William Blake Wordsworth writing
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