Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 24
... feminine , " see Huyssen . On “ feminine ” and “ masculine ” popular musics ( " pop " and " cock rock " ) , see Frith and McRobbie . On music television and the " feminine , " see Kinder ( " Phallic Film " ) . 25 What follows clearly ...
... feminine , " see Huyssen . On “ feminine ” and “ masculine ” popular musics ( " pop " and " cock rock " ) , see Frith and McRobbie . On music television and the " feminine , " see Kinder ( " Phallic Film " ) . 25 What follows clearly ...
Seite 118
... feminine , which Gilligan's work tends to affirm . In turn , Cornell criticizes Gilligan for rooting her affirmation of the feminine entirely " in the way women are . " Cornell prefers to emphasize with Luce Irigaray that women are ...
... feminine , which Gilligan's work tends to affirm . In turn , Cornell criticizes Gilligan for rooting her affirmation of the feminine entirely " in the way women are . " Cornell prefers to emphasize with Luce Irigaray that women are ...
Seite 119
... feminine specificity in its stead ) . So the question remains as to how one can both address oneself to a legal ... feminine self " ( 217 ) . Unable to claim her feminine heritage , Williams also reflects on the double - bind Fall 1993 119.
... feminine specificity in its stead ) . So the question remains as to how one can both address oneself to a legal ... feminine self " ( 217 ) . Unable to claim her feminine heritage , Williams also reflects on the double - bind Fall 1993 119.
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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