Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
Im Buch
Ergebnisse 1-3 von 14
Seite 66
... finale aims to disappoint the intersecting but incommensurable desires of differently gen- dered and politicized ... final shot may deprive the spectator of the dubious pleasures of fetishism at the cost of returning her to a psychic ...
... finale aims to disappoint the intersecting but incommensurable desires of differently gen- dered and politicized ... final shot may deprive the spectator of the dubious pleasures of fetishism at the cost of returning her to a psychic ...
Seite 69
... finale of Halloween ( 1978 ) in which Jamie Lee Curtis as the androgynous “ final girl " eludes the psychopath . See Clo- ver for a persuasive interpretation of male spectatorial identification with the " final girl " in horror films ...
... finale of Halloween ( 1978 ) in which Jamie Lee Curtis as the androgynous “ final girl " eludes the psychopath . See Clo- ver for a persuasive interpretation of male spectatorial identification with the " final girl " in horror films ...
Seite 115
... final remarks acquire a particularly sinister irony . Pictured with Clarence reclining on the sofa and reading the Bible ( and it's really amazing that the photographer just happened by at that intimate moment ) , Virginia says , “ Even ...
... final remarks acquire a particularly sinister irony . Pictured with Clarence reclining on the sofa and reading the Bible ( and it's really amazing that the photographer just happened by at that intimate moment ) , Virginia says , “ Even ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York