Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 38
... tion of ideas to a sphere of popular cultural life external to itself . There have often been professors , for example , in film and fiction , but in recent years we've seen the rise of a new , savvy popular culture that can also ...
... tion of ideas to a sphere of popular cultural life external to itself . There have often been professors , for example , in film and fiction , but in recent years we've seen the rise of a new , savvy popular culture that can also ...
Seite 86
... tion of death , meet and cross . - — Jean - Pierre Vernant , " In the Mirror of Medusa " To look at Virginia Woolf ... tion and melancholy and fatal in its beauty ... " ( 31 ) . The image of the two - sided mirror or two - faced herm ...
... tion of death , meet and cross . - — Jean - Pierre Vernant , " In the Mirror of Medusa " To look at Virginia Woolf ... tion and melancholy and fatal in its beauty ... " ( 31 ) . The image of the two - sided mirror or two - faced herm ...
Seite 97
... tion of Bob Dylan ? Would Dylan , but not Madonna , be allowed to cross the divide safely because he represents " brains , ” not " body " ? ( As Freedman notes , Dylan " legitimized " himself by claiming to be influenced by Rimbaud ...
... tion of Bob Dylan ? Would Dylan , but not Madonna , be allowed to cross the divide safely because he represents " brains , ” not " body " ? ( As Freedman notes , Dylan " legitimized " himself by claiming to be influenced by Rimbaud ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York