Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
Im Buch
Ergebnisse 1-3 von 30
Seite 3
... tradition . Vickers , however , is less interested in claiming popular artists to be worthy ( or unworthy ) of the tradition in which they may be placed than in using their work to critique the tradition itself . Thus , by exam- ining ...
... tradition . Vickers , however , is less interested in claiming popular artists to be worthy ( or unworthy ) of the tradition in which they may be placed than in using their work to critique the tradition itself . Thus , by exam- ining ...
Seite 7
... tradition that interprets the norms of the love song within the confines of its electronically reproduced manifestations . That perspective is itself , I think , limited . For popular love songs , as we know them , constitute complex ...
... tradition that interprets the norms of the love song within the confines of its electronically reproduced manifestations . That perspective is itself , I think , limited . For popular love songs , as we know them , constitute complex ...
Seite 30
... tradition and any particular politics of American diplomacy than the more general ideology con- structed in the very notion of education as discovery and trans- mission . At this level , as Gerald Graff notes , the research tradition ...
... tradition and any particular politics of American diplomacy than the more general ideology con- structed in the very notion of education as discovery and trans- mission . At this level , as Gerald Graff notes , the research tradition ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York