Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
Im Buch
Ergebnisse 1-3 von 62
Seite 81
... Woman , to represent women as passive objects to be looked at and longed for " ( 145 ) . Yes and no . For " Woman , " Mailer clearly believes and tradition supports , can also be deadly , not only to herself but to others ; she can ...
... Woman , to represent women as passive objects to be looked at and longed for " ( 145 ) . Yes and no . For " Woman , " Mailer clearly believes and tradition supports , can also be deadly , not only to herself but to others ; she can ...
Seite 114
... woman like Anita Hill in relation to the mass media . Punished during the proceedings by the constant insin- uation that she was telling these events to gain publicity for her- self that is , to sell her story — she was then punished ...
... woman like Anita Hill in relation to the mass media . Punished during the proceedings by the constant insin- uation that she was telling these events to gain publicity for her- self that is , to sell her story — she was then punished ...
Seite 160
... woman's " irreplaceability " ( 75 ) lies in her relation to a man , her son , lends itself to precisely the “ [ sys- tems ] ” or “ [ moralities ] " that Barthes tries to hold at bay . For example , the photograph that stands in for the ...
... woman's " irreplaceability " ( 75 ) lies in her relation to a man , her son , lends itself to precisely the “ [ sys- tems ] ” or “ [ moralities ] " that Barthes tries to hold at bay . For example , the photograph that stands in for the ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York