The Plays of William Shakespeare: In Twenty-one Volumes, with the Corrections and Illustrations of Various Commentators, to which are Added Notes, Band 7 |
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I have not hitherto discovered any novel on which this comedy appears to have been founded ; and yet the story of it has most of the features of an ancient romance . STEEVENS . I suspect that there is an error in the title of this play ...
I have not hitherto discovered any novel on which this comedy appears to have been founded ; and yet the story of it has most of the features of an ancient romance . STEEVENS . I suspect that there is an error in the title of this play ...
Seite 20
6 curious - knotted garden : ] Ancient gardens abounded with figures of which the lines intersected each other in many directions . Thus , in King Richard II : " Her fruit - trees all unprun'd , her hedges ruin'd , " Her knots ...
6 curious - knotted garden : ] Ancient gardens abounded with figures of which the lines intersected each other in many directions . Thus , in King Richard II : " Her fruit - trees all unprun'd , her hedges ruin'd , " Her knots ...
Seite 29
Perhaps Armado neither alludes to green eyes , nor to jealousy ; but to the willow , the supposed ornament of unsuccessful lovers : " Sing , all a green willow shall be my garland , " is the burden of an ancient ditty preserved in The ...
Perhaps Armado neither alludes to green eyes , nor to jealousy ; but to the willow , the supposed ornament of unsuccessful lovers : " Sing , all a green willow shall be my garland , " is the burden of an ancient ditty preserved in The ...
Seite 30
To owe is to possess . So , in Macbeth : 66 -the disposition that I owe . " STEEvens . ▭▭▭▭▭▭▭▭▭ 3 the King and the Beggar ? ] See Dr. Percy's Reliques of Ancient English Poetry , 4th edit . Vol . I. p . 198. STEEVENS . MOTH .
To owe is to possess . So , in Macbeth : 66 -the disposition that I owe . " STEEvens . ▭▭▭▭▭▭▭▭▭ 3 the King and the Beggar ? ] See Dr. Percy's Reliques of Ancient English Poetry , 4th edit . Vol . I. p . 198. STEEVENS . MOTH .
Seite 51
... and therefore it could not with propriety be exhibited as a part of a new performance . Sometimes yet more was left to the discretion of the ancient comedians , as I learn from the following circumstance in King Edward IV . P. II .
... and therefore it could not with propriety be exhibited as a part of a new performance . Sometimes yet more was left to the discretion of the ancient comedians , as I learn from the following circumstance in King Edward IV . P. II .
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affection ancient answer Antonio appears BASS Bassanio beauty believe BIRON bond BOYET called Christian comes common COST doth editions editor Enter expression eyes face fair FARMER father flesh folio fool fortune Giannetto give hand hath head hear heart heaven Henry hold Italy JOHNSON kind King lady Launcelot learned leave letter light live look lord lost MALONE manner master means mind MOTH musick nature never night observed old copies passage Perhaps play pound praise pray present printed quarto reason ring romances says SCENE seems sense Shakspeare speak stand STEEVENS suppose sweet tell term thee THEOBALD thing thou thought thousand true turn unto Venice WARBURTON word young
Bibliografische Informationen
| Titel | The Plays of William Shakespeare: In Twenty-one Volumes, with the Corrections and Illustrations of Various Commentators, to which are Added Notes, Band 7 The Plays of William Shakespeare: In Twenty-one Volumes, with the Corrections and Illustrations of Various Commentators, to which are Added Notes, William Shakespeare |
| Autor/in | William Shakespeare |
| Herausgeber | Isaac Reed |
| Ausgabe | 6 |
| Verlag | J. Nichols and Son, 1813 |
| Original von | Princeton University |
| Digitalisiert | 26. Nov. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |