Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 49
... Elizabeth I , 37 a relationship pointed by the covert presence in the text of the Queen's godson . The Queen's mythology and his- tory inform the texture of the play . Shakespeare's Rosalind shares her name not only with the heroine of ...
... Elizabeth I , 37 a relationship pointed by the covert presence in the text of the Queen's godson . The Queen's mythology and his- tory inform the texture of the play . Shakespeare's Rosalind shares her name not only with the heroine of ...
Seite 200
... [ Elizabeth's ] famous remark ' I am Richard the Second . Know ye not that ? ' was made to William Lambarde . . . and its context makes clear that both Elizabeth and Lambarde saw the play's relevance to the Earl of Essex's rebellion ...
... [ Elizabeth's ] famous remark ' I am Richard the Second . Know ye not that ? ' was made to William Lambarde . . . and its context makes clear that both Elizabeth and Lambarde saw the play's relevance to the Earl of Essex's rebellion ...
Seite 291
... Elizabeth's death , and the uncertainty caused considerable anxiety : many of her subjects " genu- inely feared that chaos would ensue when Elizabeth died . " This uncertainty was exacerbated by Elizabeth's refusal to declare a ...
... Elizabeth's death , and the uncertainty caused considerable anxiety : many of her subjects " genu- inely feared that chaos would ensue when Elizabeth died . " This uncertainty was exacerbated by Elizabeth's refusal to declare a ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York