Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 120
... Noble , 1973 ) , p . 30 . 20 Richard Wilson , " A Mingled Yarn ' : Shakespeare and the Cloth Workers , " Literature & History 12 , 2 ( 1986 ) , 167 . 21 In her discussion of Kett's rebellion , Annabel Patterson remarks the " self ...
... Noble , 1973 ) , p . 30 . 20 Richard Wilson , " A Mingled Yarn ' : Shakespeare and the Cloth Workers , " Literature & History 12 , 2 ( 1986 ) , 167 . 21 In her discussion of Kett's rebellion , Annabel Patterson remarks the " self ...
Seite 184
... Noble Kinsmen had confounded pessimistic expectations by exciting their audiences to enthusiasm and delight by their distinctive theatrical impact . For all three of these late plays diverge from the critical expectations of most ...
... Noble Kinsmen had confounded pessimistic expectations by exciting their audiences to enthusiasm and delight by their distinctive theatrical impact . For all three of these late plays diverge from the critical expectations of most ...
Seite 191
... noble " and " victorious " in the open- ing sentence of a work that instances the fortunate depos- ing of his father as the culminating example in the Arch- bishop of Canterbury's attempts to " cleare this action [ i.e. usurpation ] of ...
... noble " and " victorious " in the open- ing sentence of a work that instances the fortunate depos- ing of his father as the culminating example in the Arch- bishop of Canterbury's attempts to " cleare this action [ i.e. usurpation ] of ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York