Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 249
... Rome or to Prospero's ' brave new world ' . Shakespeare's other ' strangers ' are potentially even more threatening for being geographically displaced . Not only do they seek some form of pollutive ' incorporation ' with a host - city ...
... Rome or to Prospero's ' brave new world ' . Shakespeare's other ' strangers ' are potentially even more threatening for being geographically displaced . Not only do they seek some form of pollutive ' incorporation ' with a host - city ...
Seite 259
... Rome ( 3.6.42- 55 ) , and Cleopatra when imagining herself burlesqued in the Roman streets . Both also show a precise grasp of the politics of the triumph . Cleopatra understands it as a ritual means of translating the exotic into so ...
... Rome ( 3.6.42- 55 ) , and Cleopatra when imagining herself burlesqued in the Roman streets . Both also show a precise grasp of the politics of the triumph . Cleopatra understands it as a ritual means of translating the exotic into so ...
Seite 399
... Rome which by definition refuses to grant perlocutionary force to the hero.16 Since the sociopolitical situation of civil obedi- ence necessary for the tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of ...
... Rome which by definition refuses to grant perlocutionary force to the hero.16 Since the sociopolitical situation of civil obedi- ence necessary for the tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York