Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 143
... Shakespeare consistently demythologizes kingship , here and elsewhere . " He ridi- cules " divine right " and deflates " majesty . " The tradition- al ceremonies of government that Tillyard made so much of , " however decorous and ...
... Shakespeare consistently demythologizes kingship , here and elsewhere . " He ridi- cules " divine right " and deflates " majesty . " The tradition- al ceremonies of government that Tillyard made so much of , " however decorous and ...
Seite 216
... Shakespeare's London , 1576- 1642 ( Cambridge , Eng . , 1987 ) and the argument of Mar- tin Butler , Theater in Crisis , 1632-42 ( Cambridge , Eng . , 1984 ) , pp . 293-306 , that plebeians attended Shakespeare's plays in significant ...
... Shakespeare's London , 1576- 1642 ( Cambridge , Eng . , 1987 ) and the argument of Mar- tin Butler , Theater in Crisis , 1632-42 ( Cambridge , Eng . , 1984 ) , pp . 293-306 , that plebeians attended Shakespeare's plays in significant ...
Seite 230
... Shakespeare , 140 . " David Willbern , " Shakespeare's Nothing , " in Represent- ing Shakespeare , 247 . 7 Stephen Greenblatt , " Psychoanalysis and Renaissance Culture , " in Learning to Curse : Essays in Early Modern Culture ( New ...
... Shakespeare , 140 . " David Willbern , " Shakespeare's Nothing , " in Represent- ing Shakespeare , 247 . 7 Stephen Greenblatt , " Psychoanalysis and Renaissance Culture , " in Learning to Curse : Essays in Early Modern Culture ( New ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York