Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 29
... aristocrat was the one that was most often and most intensely marked by vio- lent popular protest.34 As Roger Manning notes , " Scores of new deer parks were enclosed during the Tudor - Stu- art period ... As symbols of aristocratic ...
... aristocrat was the one that was most often and most intensely marked by vio- lent popular protest.34 As Roger Manning notes , " Scores of new deer parks were enclosed during the Tudor - Stu- art period ... As symbols of aristocratic ...
Seite 70
... aristocracy . " And , she explains , by rejecting the aristocratic Falstaff , Margaret Page and Alice Ford - unlike most middle class wives in contemporary city comedies - remain loyal to their hus- bands and to the " bourgeois ...
... aristocracy . " And , she explains , by rejecting the aristocratic Falstaff , Margaret Page and Alice Ford - unlike most middle class wives in contemporary city comedies - remain loyal to their hus- bands and to the " bourgeois ...
Seite 368
... aristocratic otherness before the mistress's bourgeois sameness , his extreme junior before his approximate peer . How , then , would it be possible to make the transition Lacanian subjectivity requires from imaginary identification to ...
... aristocratic otherness before the mistress's bourgeois sameness , his extreme junior before his approximate peer . How , then , would it be possible to make the transition Lacanian subjectivity requires from imaginary identification to ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York