Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 267
... original idea of Othello was that of the Noble Savage . Ironically , Othello also comes to regard himself with disgust rather than idealism . Hence Desdemona is condemned for no more and no less than the audacity of having desired him ...
... original idea of Othello was that of the Noble Savage . Ironically , Othello also comes to regard himself with disgust rather than idealism . Hence Desdemona is condemned for no more and no less than the audacity of having desired him ...
Seite 270
... original encounter of Prospero and Caliban , is echoed in the encounter of Caliban with Trinculo and Stephano . Just as before , Caliban falls at the feet of a seemingly god - like European ( Stephano ) who confers the gift of ...
... original encounter of Prospero and Caliban , is echoed in the encounter of Caliban with Trinculo and Stephano . Just as before , Caliban falls at the feet of a seemingly god - like European ( Stephano ) who confers the gift of ...
Seite 388
... original honesty of wit , make it worth pausing over . Here as elsewhere I quote from the 1609 edition ( with long ss modernized and us and vs reversed ) , and this together with Elizabethan idioms- " steel'd sense " meaning implacable ...
... original honesty of wit , make it worth pausing over . Here as elsewhere I quote from the 1609 edition ( with long ss modernized and us and vs reversed ) , and this together with Elizabethan idioms- " steel'd sense " meaning implacable ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York