Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 89
... seen , is not only to remain mad but to remain in fiction , or in trope ) . Jaques's bequest can also be said to provide the model for the female performative , since , as we have seen , a woman cannot use language performatively ...
... seen , is not only to remain mad but to remain in fiction , or in trope ) . Jaques's bequest can also be said to provide the model for the female performative , since , as we have seen , a woman cannot use language performatively ...
Seite 91
... seen as a myth defining the human capacity to create beauty out of suffering , yet such interpretations tend to sidestep the fact that it is a myth of beauty made from female suffer- ing . The suggestion here that women should be taken ...
... seen as a myth defining the human capacity to create beauty out of suffering , yet such interpretations tend to sidestep the fact that it is a myth of beauty made from female suffer- ing . The suggestion here that women should be taken ...
Seite 355
... seen from a range of contemporary books about the meanings of an- cient myths . The main points of that first argument will be : that even if most of the different aspects of Venus ' characterization seem conventional , frequently they ...
... seen from a range of contemporary books about the meanings of an- cient myths . The main points of that first argument will be : that even if most of the different aspects of Venus ' characterization seem conventional , frequently they ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York