Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 46
... women ? If a woman's voice was raised in the critical debate , I missed it . In the past , of course , there would have been no such voice , except from the reminiscences of a few celebrated actresses . How differ- ent our theatrical ...
... women ? If a woman's voice was raised in the critical debate , I missed it . In the past , of course , there would have been no such voice , except from the reminiscences of a few celebrated actresses . How differ- ent our theatrical ...
Seite 50
... women by allowing Rosalind to rewrite the fictions which seem to surround her . " In doing so she opens the play world to the women in the audience . The Orlando Furioso predicates female cruelty as a spur to male desire . Shakespeare's ...
... women by allowing Rosalind to rewrite the fictions which seem to surround her . " In doing so she opens the play world to the women in the audience . The Orlando Furioso predicates female cruelty as a spur to male desire . Shakespeare's ...
Seite 51
... women , as Harington had offered women readers of his Orlando , the opportu- nity to rewrite the record . The implied accusation , that the Queen had not rewritten the male narrative , nor cre- ated fictions of sexuality which could ...
... women , as Harington had offered women readers of his Orlando , the opportu- nity to rewrite the record . The implied accusation , that the Queen had not rewritten the male narrative , nor cre- ated fictions of sexuality which could ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York