"I believe it will be found that those who marry late are best pleased with their children, and those who marry early with their partners."

"The union of these two affections," said Rasselas, "would produce all that could be wished. Perhaps there is a time when marriage might unite them, a time neither too early for the father, nor too late for the husband."

66 Every hour," answered the princess, confirms my prejudice in favour of the position so often uttered by the mouth of Imlac, 'That nature sets her gifts on the right hand and on the left.' Those conditions, which flatter hope and attract desire, are so constituted, that, as we approach one, we recede from another. There are goods so opposed that we cannot seize both, but, by too much prudence, may pass between them at too great a distance to reach either. This is often the fate of long consideration; he does nothing who endeavours to do more than is allowed to humanity. Flatter not yourself with contrarieties of pleasure. Of the blessings set before you make your

choice, and be content, No man can taste the fruits of autumn while he is delighting his scent with the flowers of the spring: no man can, at the same time, fill his cup from the source and from the mouth of the Nile."

CHAP. XXX.

Imlac enters, and changes the Conversation.

66

HERE Imlac entered, and interrupted them. Imlac," said Rasselas, "I have been taking from the princess the dismal history of private life, and am almost discouraged from further search."

"It seems to me," said Imlac,“that while you are making the choice of life, you neglect to live. You wander about a single city, which, however large and diversified, can now afford few novelties, and forget that you are in a country, famous among the earliest monarchies for the power and wisdom of its inhabitants; a country where

the sciences first dawned that illuminate the world, and beyond which the arts cannot be traced of civil society or domestic life.

“The old Egyptians have left behind them monuments of industry and power, before which all European magnificence is confessed to fade away. The ruins of their architecture are the schools of modern builders, and from the wonders which time has spared we may conjecture, though uncertainly, what it has destroyed."

"My curiosity," said Rasselas, “does not very strongly lead me to survey piles of stone, or mounds of earth; my business is with man. I came hither not to measure fragments of temples, or trace choked aqueducts, but to look upon the various scenes of the present world."

"The things that are now before us," said the princess, require attention, and de

serve it. What have I to do with the heroes or the monuments of ancient times? with times which never can return, and heroes, whose form of life was different from all that present condition of mankind requires 'or allows?"

"To know any thing," returned the poet, 66 we must know its effects; to see men we must see their works, that we may learn what reason has dictated, or passion has incited, and find what are the most powerful motives of action. To judge rightly of the present, we must oppose it to the past; for all judgement is comparative, and of the future nothing can be known. The truth is, that no mind is much employed upon the present recollection and anticipation fill up almost all our moments. Our passions are joy and grief, love and hatred, hope and fear. Of joy and grief the past is the object, and the future of hope and fear; even love and hatred respect the past, for the cause must have been before the effect.

"The present state of things is the consequence of the former, and it is natural to inquire what were the sources of the good that we enjoy, or the evil that we suffer. If we act only for ourselves, to neglect the study of history is not prudent: if we are intrusted with the care of others, it is not just. Ignorance, when it is voluntary, is criminal; and he may properly be charged

P

with evil who refused to learn how he might prevent it.

"There is no part of history so generally useful as that which relates the progress of the human mind, the gradual improvement of reason, the successive advances of science, the vicissitudes of learning and ignorance, which are the light and darkness of thinking beings, the extinction and ressuscitation of arts, and the revolutions of the intellectual world. If accounts of battles and invasions are peculiarly the business of princes, the useful or elegant arts are not to be neglected; those who have kingdoms to goveru, have understandings to cultivate.

Example is always more efficacious than precept. A soldier is formed in war, and a painter must copy pictures. In this, contemplative life has the advantage: great actions are seldom seen, but the labours of art are always at hand for those who desire 10 know what art has been able to perform.

"When the eye or the imagination is struck with any uncommon work, the next transition of an active mind is to the means by which it was performed. Here begins the